French b.Aug. 30, 1748, Paris d.Dec. 29, 1825, Brussels Jacques-Louis David is famous for his huge, dramatic canvasses of Napoleon and other historical figures, including Oath of the Horatii (1784), Death of Marat (1793) and The Sabine Women (1799). Early in his career he was a leader in the neoclassical movement; later his subjects became more modern and political. David was himself active in the French Revolution as a supporter of Robespierre and is sometimes called the chief propagandist for the Revolution; after the Reign of Terror ended he was briefly imprisoned for his actions. When Napoleon took power David became his court painter and created several grand canvasses of the Emperor, including the heroic Napoleon Bonaparte Crossing the Alps (1801) and the enormous Coronation of Napoleon and Josephine (1807). David also painted Napoleon in His Study (1812), with its famous image of Napoleon with one hand tucked inside his vest. After Napoleon ouster David went in exile to Brussels, where he remained until his 1825 death  Related Paintings of Jacques-Louis David :. | Leonidas at Thermopylae (mk05) | The Oath of the Horatii (mk05) | Madame Recamier | Pierre Seriziat,Brother-in-Law of the Artist (mk05) | oath of the horatii |
Related Artists:
Jean Fouquet
French 1420-1479 Jean Fouquet Locations French painter and illuminator. He is regarded as the most important French painter of the 15th century and was responsible for introducing Italian Renaissance elements into French painting. Little is known of his life, and, apart from a signed self-portrait medallion (Paris, Louvre), his only authenticated work is the Antiquit?s judaeques (Paris, Bib. N., MS. fr. 247). A corpus of works by Fouquet has therefore been established on the basis of stylistic criteria, but its exact chronology is uncertain.
LePICIeR, Nicolas-Bernard
French Painter, 1735-1784
PIENEMAN, Jan Willem.
b. 1779, Abcoude, d. 1853, Amsterdam,Painter, teacher, engraver and museum director. He trained with a wallpaper painter in Amsterdam, and at the same time he followed courses at the Amsterdam Stadstekenacademie, where he soon distinguished himself. His artistic and didactic gifts were recognized by the Napoleonic government, which in 1805 appointed him professor of drawing at the artillery and engineering school in Amersfoort. In 1816 he was appointed assistant director of the Mauritshuis at The Hague by William I. He frequently spent time at the Dutch court, where he gave painting lessons to Queen Wilhelmina and painted many portraits of members of the royal family. He also produced a few engravings.